Press kit, Wendall K. Harrington · Press kit, official use
In the world of projection design, all roads lead to Wendall K. Harrington, the godmother of modern projection design… Wendall K. Harrington’s career has embraced diverse disciplines including theatre, publishing and multi-image/video design and production. As a designer of scenic projections for the stage, her work has been seen on Broadway in ALL THE WAY, ANNIE, DRIVING MISS DAISY,GREY GARDENS, THE GOOD BODY, DROWNING CROW, THEY’RE PLAYING OUR SONG, THE ELEPHANT MAN, MY ONE AND ONLY, THE HEIDI CHRONICLES, FOUR BABOONS ADORING THE SUN, THE WILL ROGERS FOLLIES, HAVING OUR SAY, COMPANY, RACING DEMON, STEEL PIER, RAGTIME, FREAK, THE CAPEMAN, AMY’S VIEW, THE CIVIL WAR, PUTTING IT TOGETHER and VINCENT IN BRIXTON. In 1993, Ms. Harrington designed the projections for the award-winning THE WHO’S TOMMY on Broadway, which toured the U.S. in 1994, and has had productions in Toronto, London and Frankfurt, Germany. Additional theatrical projection credits include OLD HATS, ANGELS IN AMERICA, at the Signature theatre AMY’S VIEW at the National in London; THE CIVIL WAR at the Alley and Broadway; PUTTING IT TOGETHER at the Mark Taper Forum and Broadway; GOLDEN CHILD at the Public Theater; HAPGOOD at Lincoln Center; TWELVE DREAMS at the Public Theatre, A CHRISTMAS CAROL at the Paramount; MERRILY WE ROLL ALONG (four times!)and the ill-fated WHISTLE DOWN THE WIND. Projection design for opera includes WERTHER at the MET, Julie Taymor’s staging of THE MAGIC FLUTE in Florence, Italy, GHOSTS OF VERSAILLES, RUSALKA, NIXON IN CHINA, DIE TODT STADT, LA FANCIULLA, BRUNDIBAR,A VIEW FROM THE BRIDGE, GRAPES OF WRATH, THE JUNIPER TREE, MORNING STAR, THE PHOTOGRAPHER,TRANSATLANTIC, and ORPHEO AND EURIDICE as well as sets and projections for Ricky Ian Gordon’s RAPPAHANNOCK COUNTY.
